Written on the back: Olga and Anna on the roof of St George's, 1958
After my mother died I was suddenly aware that I am the sole custodian of so many memories from my youth. The Greek relatives of my generation were either at least ten years older than me (and so many now dead, like Anna with me above), or were not born for at least six years after me.
With the birth of a great-niece, as I have no children, I decided to put together a book explaining who everyone in my and my brother's part of the family was/is. Since completing that, I have been thinking that I might enjoy putting together a loosely organised collection of my own reminiscences. This goes happily with my desire to explore more of the interests spurred in my young days, but never pursued to any great degree.
Mosaics on the dome of St George's (image from here)
One of those interests is in mosaics, especially Byzantine mosaics. This started at the age of four when my great uncle used to take me to his work. He was architect/civil engineer involved in the restoration of the church of St Demetrius in Thessaloniki. He would leave me to amuse myself looking around, and I was particularly taken with the glorious mosaics (I was an exceedingly well behaved child - and besides, everyone knew who I was). Recently I came across the website of Helen Miles, a mosaic artist who was inspired by Byzantine mosaics and has a post on the Rotunda here. Her fascinating blog posts got me fired up with interest again, and so when the other day I was researching books on the subject to get me started, I discovered one on my beloved Rotunda, I had to have it.
Vintage postcard -Artist's view of the Rotunda, Thessaloniki (image from here)
Spending three or four months every summer in Thessaloniki through my youth, I was allowed a lot of freedom. I was able from about the age of seven or so to walk through the town on my own, setting off from home as it was then up on the hill next to St Demetrius, down to my aunt's office to collect her at the end of her working day at 1 o'clock. I had ample opportunity to explore so much of such a fascinating place, which in my early years was a beautiful mix of medieval and belle epoque architecture. (So much was ruined with the blocks of flats which went up from the mid 50s, and now I find the place so filled with mediocre buildings that it is difficult to imagine how it once was.)
I loved the many churches, their shapes, their mosaics, their icons, ... but of all the buildings the one which intrigued me the most was St George's, the Rotunda. I was delighted when our home in Thessaloniki moved down to within a couple of minutes' walk to the Rotunda. When I knew the building it was neglected, not used as a church, and only visited by very few folks who deliberately sought it out. In its garden full of weeds, bits of stone ruins, and often junk, I saw my first sarcophagus.
The Rotunda transformed into a mosque, 1831 (image from here)
The inside was awe-inspiring, especially when I was alone. It had lived different lives: Roman rotunda first, then a christian church, then a mosque, and then a sort of neglected museum ... until the earthquake of 1978, after which it was swathed in scaffolding, and taken more seriously.
The postcard above shows how the Rotunda and its surroundings looked when I first remember it. Now it is all cleared out, and linked with the Arch of Galerius - both part of the same original construct. I am both glad, and sad - as I am with so many aspects of things that have changed over my life.
Rotunda and Arch today (image from here where the whole Roman complex is also picutred)
It is scarcely believable now that my father (who took the photograph of us), my cousin Anna, and I at the age of ten were allowed to climb right up and sit on the roof - but the photo clearly shows the minaret and how high we were. The book arrived yesterday, and I am looking forward very much to putting some information with my memories.
Showing posts with label Art / Craft/Architecture. Show all posts
Showing posts with label Art / Craft/Architecture. Show all posts
Friday, February 08, 2019
Tuesday, December 18, 2018
Given in to temptation
I must admit that the end of this year finds me feeling rather like this print of mine, and so I clutch at whatever delights come my way. Three interests of mine are architecture, Scottish landscape, and ceramics, and when all three coincide, then of course temptation must be fully embraced.
A few weeks ago I was delighted to see that Lochside, a house built for a potter on the shores of Upper Loch Torridon was chosen as RIBA House of the Year 2018.
Photograph by Richard Fraser
There have been innumerable times this year when I wished myself far from the hub of things, and this landscape is a favourite. It is too long since we last visited. When curiosity about the ceramics that the owner makes took me to Michele Bianco's website, I was smitten, and fell in love with a particular piece: greys, with the subtleties of greens and other colours in the glaze (image below from Michele Bianco's site).
I would not normally - indeed have never before bought ceramics online, but this time I leapt. And today was duly rewarded when it arrived. It is temporarily on the mantle so that we can enjoy it until I put up the leafy decorations on Monday, then in the new year we will find an appropriate permanent spot.
So perhaps the falling is onto a trampoline, and let's hope that there are more elements of joy to temper the plunge of despair.
A few weeks ago I was delighted to see that Lochside, a house built for a potter on the shores of Upper Loch Torridon was chosen as RIBA House of the Year 2018.
Photograph by Richard Fraser
There have been innumerable times this year when I wished myself far from the hub of things, and this landscape is a favourite. It is too long since we last visited. When curiosity about the ceramics that the owner makes took me to Michele Bianco's website, I was smitten, and fell in love with a particular piece: greys, with the subtleties of greens and other colours in the glaze (image below from Michele Bianco's site).
I would not normally - indeed have never before bought ceramics online, but this time I leapt. And today was duly rewarded when it arrived. It is temporarily on the mantle so that we can enjoy it until I put up the leafy decorations on Monday, then in the new year we will find an appropriate permanent spot.
So perhaps the falling is onto a trampoline, and let's hope that there are more elements of joy to temper the plunge of despair.
Friday, October 12, 2018
There are some buildings
... to which I become attached at first sight. Two in Oxford of which I never tired are the Natural History Museum (above) - which is also stunning beautiful inside, and houses the extraordinary Pitt-Rivers Museum, so ticks many boxes - and Keble College (below).
(image from here)
Today in Glasgow we visited another such: the former Templeton Carpet Factory. It is a bizarre but delightful conceit of an edifice, and thoroughly dispelled any notions of feeling miserable because of the heavy rain (obviously the photo below was not taken on such a day).
These three are decidedly of the decorated school, and are not what I typically go for in a building, generally preferring clean lines. But these are just so boldly sure of themselves, and have their own elegance I think.
(image from here)
Today in Glasgow we visited another such: the former Templeton Carpet Factory. It is a bizarre but delightful conceit of an edifice, and thoroughly dispelled any notions of feeling miserable because of the heavy rain (obviously the photo below was not taken on such a day).
These three are decidedly of the decorated school, and are not what I typically go for in a building, generally preferring clean lines. But these are just so boldly sure of themselves, and have their own elegance I think.
Thursday, June 28, 2018
Park pavilion
Our trip up to Hyde Park provided quite a selection of treats. Not only the two exhibitions at the Serpentine galleries, the Mastaba on the lake, and also the annual Summer Pavilion. This year's architect is Frida Escobedo, and the reviews here and here built up our expectations.
Arriving before it was open to the public I took a few snaps while it was empty.
After we had seen the Mastaba and the Tomma Abts we returned to have a coffee before visiting the Christo and Jean-Claude exhibition. We were disappointed to find that the space is so limited that only four tables with four chairs each were provided for sitting to drink our expensive coffee and enjoy the ambience. The reflecting roof is fun, but also makes the space feel even smaller, and the pool of water rather resembled a puddle - or a designer dog water bowl (that's a bit harsh on my part - the dogs appreciated it!).
As a pavilion for a private garden it would make a lovely cool space on really hot days like this week, but we did not think that it works as a public space. Brilliant use of concrete roof tiles, however!
Arriving before it was open to the public I took a few snaps while it was empty.
After we had seen the Mastaba and the Tomma Abts we returned to have a coffee before visiting the Christo and Jean-Claude exhibition. We were disappointed to find that the space is so limited that only four tables with four chairs each were provided for sitting to drink our expensive coffee and enjoy the ambience. The reflecting roof is fun, but also makes the space feel even smaller, and the pool of water rather resembled a puddle - or a designer dog water bowl (that's a bit harsh on my part - the dogs appreciated it!).
As a pavilion for a private garden it would make a lovely cool space on really hot days like this week, but we did not think that it works as a public space. Brilliant use of concrete roof tiles, however!
Tuesday, December 05, 2017
I do like to be beside the seaside
On Sunday we set off for the East Sussex coast: to two exhibitions. First we visited the Towner Gallery to see a most interesting collection of landscape photographs. I was also intrigued there by the diversity of architecture around the gallery - and the fact that it abuts the tennis courts which I have seen on television when the international competition just before Wimbledon is taking place. Please forgive the lack of quality in my snaps - some were taken from inside the gallery, and it was a rather misty day (well, those are my excuses!). This was a day of extraordinary visual feasts - art and life.
There I also encountered a collection of holm oaks, a tree not often seen in England. It is a tree I know from Greece, and a favourite of mine. The tree is also known as the holly oak, and lo - there was a holly growing out of one next to our car (note the silhouette above the cut branch in the second snap)!
We did not wander far in Eastbourne for we were set for points East: Hastings to see the Rego exhibition mentioned in my previous post. The Jerwood gallery, like the Towner is relatively new, and is positioned near the shore next to the wondrous working chaos of fishing folk.
There were a couple of amusing sights:
And then of course there was the calming sight of the sea.
A great day trip to the seaside!
Labels:
Art / Craft/Architecture,
Caught my eye,
Exhibition,
Outing
Tuesday, July 04, 2017
Summer tradition
On Sunday we went to see this year's pavilion at the Serpentine gallery. It was a delightful sunny day, not too hot. I really like this year's pavilion. It is a design which could be replicated in many park or garden situation. I very much delighted in its simplicity including the simple shapes, and elegant ingenious method of catching the rain to pour as a waterfall into the centre.
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