Sunday, October 15, 2017

Treasure

Today I have been wandering through the ArtUk site, gazing at the wealth of content, working from the artists.  These are paintings in public collections in the UK, and can be seen - well, not all are actually on display, but the theory is that by contacting the institution a viewing can be arranged.
Anne Redpath: Terraced fields, Gran Canaria (image from here)
I wanted to reacquaint myself with old favourites, as for example Anne Redpath.
Anne Redpath: Landscape at Kyleakin (image from here)
I love her use of colour; three of the paintings in the public collections particularly catching my attention today.  I was taken with the transition from the deep reds of Gran Canaria through the reds, greys, and whites of Kyleakin to the whites and greys with scant but essential red of the still life below.
Anne Redpath: Grey Still Life, The Venetian Blind (image from here)
How wondrous to include a venetian blind!  I cannot off the top of my head think of another still life with such dynamic horizontals, translucent, arising from what might otherwise be thought a boring object.  Doubly delightful after having seen this image for the first time is the discovery that it is held in the collection of the Abbot Hall Art Gallery in Kendal, Cumbria - a favourite destination of ours when we are up in the North West of England, or on our way to Scotland.  So I hope to be able to see the painting for real some day.

Monday, October 09, 2017

Excellent timing

My bedtime reading at present is SPQR: A History of Ancient Rome by Mary Beard.  I am enjoying this, reading it slowly to chew over all the information.  As described in this review, the book is engaging - but I was delighted to find a FutureLearn course covering the development of Rome from Dr Matthew Nicholls of Reading University Classics department
(image above from here)
The course started today, and it is quite a revelation.  These free online courses are amazing.  I have thoroughly enjoyed most of the ones I have pursued.

Saturday, October 07, 2017

Tree cutting theatre

The renovation cycle has turned, and amongst other jobs which are being and to be done, tree cutting was added.  (A sub-clause of the jammy piece principle - if dropped, a jammy piece will fall jammy side down - is that if great sums of money are being paid out, another large expense will force its way up the queue.)  The poplar had grown so high that were it so to fall, it would smash my sewing room.  A drastic crown reduction was called for.
The rule, just as in cutting fabric, is look and discuss at length before beginning the climb - especially as the tree grows between an electricity wire and a public path to a primary school.
A twice-extended ladder forms the foothills of the ascent, which reaches the topmost branches in order to secure the rope.
Then, with the rope in place, the descent to the cutting can begin.
And with the cut line established after a few hours, the cutting for the day more or less ends (a less experienced guy is given the opportunity in the afternoon to climb up and experience cutting at the great height !).  Clearing - the much longer job - begins.
On the two subsequent days the experienced climber and cutter gradually works his way across the tree.  Although there is much crashing of falling timber, the job on the whole is remarkably elegantly and skillfully done. 

Another less experienced guy gets the opportunity ! to climb up to cut the final bit of branch and retrieve the rope.
All was busyness and noise for four days, and then on the fifth the fence was mended (a couple of pieces of tree didn't miss it), and now all is quiet.  And we are discovering how agile the squirrels are.  Discombobulated at first because their electricity super highway was previously brushed by branches.  Now they really have to l e a p!  And they do.
And we have a greatly augmented wood pile - not to mention having an entertaining spectacle to compensate for the lack of work that I achieved.